A Dance with A Danger
by Sheila Eggenberger, Author Quantum Demonology.
a review of Neil Morris’ first module for the Devilscent Project
Sometimes, I wish my readers could be present when I sniff a perfume for the first time, just so they could get a sense of what manner of gut reaction I have, what epithets I exclaim, what numinous emotions I’ll then have to translate into words and phrases.
I have never wished it more in my entire lifespan as a perfume writer as I did this past week, when a dream that originated in my own twisted mind for reasons I’ll never know became a concrete reality in the shape of the first edition of the Devil’s scent as it’s described in my novel, Quantum Demonology.
Understand, I hadn’t planned for that telling little detail, a leitmotif that trails through the story as both admonition and metaphor, that last, tiny push the protagonist with her own esoteric tastes in perfume is helpless to resist, the one that burns away her last hesitations and overrules her fears, that haunted and haunting one-way ticket into a world she only thought she knew, but of course, she couldn’t know what manner of perfume and perdition, Heaven and Hell awaited that fated Friday night…
The Devil’s scent stayed through eight revisions of its first appearance and stuck in my mind as an image I could invoke as clearly as I could invoke that Devil I created: heady, dark, otherworldly, emphatically male in a way that sings its devious purposes in a manner the protagonist can’t refuse.
So imagine what it will do to an excitable writer’s mind when that idea is given concrete form and interpretation, when she sees the logo she created for the project emblazoned on the bottle, the effect of what her words have caused and inspired.
It blew my mind. I had to sit down for a moment and center my hara, had to try not to repeat that mantra in my story, another red thread that weaves throughout the words and the world I had created, a metaphysical truth as old as time itself:
Be careful what you wish for. You will get it.
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